Waiting on God Routledge Revivals
A work first published in English in 1951, Waiting on God forms the best possible introduction to the work of Simone Weil, for it brings us into direct contact with this amazing personality, at once so pure, so ardent, so utterly sincere, yet normally so reserved that only her closest friends guessed the secrets of her inner life. The first part of the book concerns her letters written to the Reverend Father Perrin, O.P., who befriended her at Marseilles and, the only priest she knew, became her intimate friend. The second part of the book concerns essays and reflections on such subjects as education, human affliction and the love of God, prayer, and forms of the implicit love of God.
The sacred hill
Maurice Barrès A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de The sacred hill Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
The Imitation of Christ
Thomas (à Kempis) A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de The Imitation of Christ Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
The Diary of a Country Priest
Recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself.
The Power of Now
To make the journey into the Now we will need to leave our analytical mind and its false created self, the ego, behind. From the very first page of Eckhart Tolle's extraordinary book, we move rapidly into a significantly higher altitude where we breathe a lighter air. We become connected to the indestructible essence of our Being, “The eternal, ever present One Life beyond the myriad forms of life that are subject to birth and death.” Although the journey is challenging, Eckhart Tolle uses simple language and an easy question and answer format to guide us. A word of mouth phenomenon since its first publication, The Power of Now is one of those rare books with the power to create an experience in readers, one that can radically change their lives for the better.
The Tibetan Book of Living and Dying
“A magnificent achievement. In its power to touch the heart, to awaken consciousness, [The Tibetan Book of Living and Dying] is an inestimable gift.” —San Francisco Chronicle A newly revised and updated edition of the internationally bestselling spiritual classic, The Tibetan Book of Living and Dying, written by Sogyal Rinpoche, is the ultimate introduction to Tibetan Buddhist wisdom. An enlightening, inspiring, and comforting manual for life and death that the New York Times calls, “The Tibetan equivalent of [Dante’s] The Divine Comedy,” this is the essential work that moved Huston Smith, author of The World’s Religions, to proclaim, “I have encountered no book on the interplay of life and death that is more comprehensive, practical, and wise.”
Nithyananda (Paramahamsa.) A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Guaranteed Solutions Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
The Real Jesus
Disputes the claim of the Jesus Seminar that Christianity is based on the historical figure of Jesus found in the Old Testament
Regarded as one of Sand's best novels, Lélia is an important document in the evolution of women's consciousness. Published in 1833, when Sand was 29, it stunned Victorians by advocating the same standard of morality for men and women and by suggesting that both the prostitute and the married woman were slaves to male desire. Sand also questioned monogamy, fidelity, and monastic celibacy. She later made an unsuccessful attempt to revise the book and to expunge its despair and skepticism. Although Sand wrote copiously, until recently only a handful of her books were available in English. This first English translation of Lélia is an excellent rendering, capturing the raptures, the mysticism, and the nineteenth-century flavor ot its eternally fascinating subject.
William Shakespeare was born at Stratford-on-Avon, in a house under the tiles of which was concealed a profession of the Catholic faith beginning with these words, "I, John Shakespeare." John was the father of William. The house, situate in Henley Street, was humble; the chamber in which Shakespeare came into the world, wretched,—the walls whitewashed, the black rafters laid crosswise; at the farther end a tolerably large window with two small panes, where you may read to-day, among other names, that of Walter Scott. This poor lodging sheltered a decayed family. The father of William Shakespeare had been alderman; his grand-father had been bailiff. Shakespeare signifies "shake-lance;" the family had for coat-of-arms an arm holding a lance,—allusive arms, which were confirmed, they say, by Queen Elizabeth in 1595, and apparent, at the time we write, on Shakespeare's tomb in the church of Stratford-on-Avon. There is little agreement on the orthography of the word Shake-speare, as a family name; it is written variously,—Shakspere, Shakespere, Shakespeare, Shakspeare. In the eighteenth century it was habitually written Shakespear; the actual translator has adopted the spelling Shakespeare, as the only true method, and gives for it unanswerable reasons. The only objection that can be made is that Shakspeare is more easily pronounced than Shakespeare, that cutting off the e mute is perhaps useful, and that for their own sake, and in the interests of literary currency, posterity has, as regards surnames, a claim to euphony. It is evident, for example, that in French poetry the orthography Shakspeare is necessary. However, in prose, and convinced by the translator, we write Shakespeare. 2. The Shakespeare family had some original draw-back, probably its Catholicism, which caused it to fall. A little after the birth of William, Alderman Shakespeare was no more than "butcher John." William Shakespeare made his début in a slaughter-house. At fifteen years of age, with sleeves tucked up, in his father's shambles, he killed the sheep and calves "pompously," says Aubrey. At eighteen he married. Between the days of the slaughter-house and the marriage he composed a quatrain. This quatrain, directed against the neighbouring villages, is his début in poetry. He there says that Hillbrough is illustrious for its ghosts and Bidford for its drunken fellows. He made this quatrain (being tipsy himself), in the open air, under an apple-tree still celebrated in the country in consequence of this Midsummer Night's Dream. In this night and in this dream where there were lads and lasses, in this drunken fit, and under this apple-tree, he discovered that Anne Hathaway was a pretty girl. The wedding followed. He espoused this Anne Hathaway, older than himself by eight years, had a daughter by her, then twins, boy and girl, and left her; and this wife, vanished from Shakespeare's life, appears again only in his will, where he leaves her the worst of his two beds, "having probably," says a biographer, "employed the best with others." Shakespeare, like La Fontaine, did but sip at a married life. His wife put aside, he was a schoolmaster, then clerk to an attorney, then a poacher. This poaching has been made use of since then to justify the statement that Shakespeare had been a thief. One day he was caught poaching in Sir Thomas Lucy's park. They threw him in prison; they commenced proceedings. These being spitefully followed up, he saved himself by flight to London. In order to gain a livelihood, he sought to take care of horses at the doors of the theatres. Plautus had turned a millstone. This business of taking care of horses at the doors existed in London in the last century, and it formed then a kind of small band or corps that they called "Shakespeare's boys."