Philosophy, art criticism and popular opinion all seem to treat the aesthetics of the comic as lightweight, while the tragic seems to be regarded with greater seriousness. Why this favouring of sadness over joy? Can it be justified? What are the criteria by which the significance of comedy can be estimated vis à vis tragedy? Questions such as these underlie the present selection of studies, which casts new light on the comic, the joyful and laughter itself. This challenge to the popular attitude strikes into new territory, relating such matters to the profundity with which we enjoy life and its role in the deployment of the Human Condition. In her Introduction Tymieniecka points out that the tragic and the comic might be complementary in their respective sense-bestowing modes as well as in their dynamic functions; they might both share in the primogenital function of promoting the self-individualising progress of human existence. For the first time in philosophy, laughter, mirth, joy and the like are revealed as the modalities of the essential enjoyment of life, being brought to bear in an illumination of the human condition.
Cronin s Key
NYPD Detective Alec MacAidan has always been good with weird. After all, his life has been a string of the unexplainable. But when an injured man gives him cryptic clues, then turns to dust in front of him, Alec's view on weird is changed forever. Cronin, a vampire Elder, has spent the last thousand years waiting for Alec. He'd been told his fated one would be a man wielding a shield, but he didn't expect him to be human, and he certainly didn't expect that shield to be a police badge. Both men, strong-willed and stubborn, are still learning how to cope with the push and pull of being fated, when fate throws them another curveball. Rumors have spread quickly of turmoil in Egypt. Covens are fleeing with news of a vampire who has a talent like no other, hell-bent on unleashing the wrath of Death. Alec and Cronin are thrown into a world of weird Alec cannot imagine. What he learned in school of ancient pharaohs and Egyptian gods was far from the truth. Instead, he finds out firsthand that history isn't always what it seems.
The Water Is Wide
New York Times Bestseller: The “miraculous” memoir of an inspiring teacher and the students who changed his life on an impoverished South Carolina island (Newsweek). Though the children of Yamacraw Island live less than two miles from the southern mainland, they can’t name the US president or the ocean that surrounds them. Most can’t read or write. Many of the students are the descendants of slaves, handicapped by poverty and isolation. When Pat Conroy arrives, an eager young teacher at the height of the civil rights movement, he finds a community still bound by the bitter effects of racism, but he is determined to broaden its members’ horizons and give them a voice. In this poignant memoir, which Newsweek called “an experience of joy,” the New York Times–bestselling author of The Prince of Tides plumbs his experiences as a young teacher on an isolated South Carolina island to reveal the shocking inequalities of the American education system.
A Treatise on Lovesickness
A critical edition and translation of Ferrands' treatise of 1610 on erotic melancholy, preceded by an introductory essay of nine chapters in which the editors/translators examine the place of erotic ideas in Renaissance culture.
The Story of O
O is a young, beautiful fashion photographer in Paris. One day her lover, Rene, takes her to a chateau, where she is enslaved, with Rene's approval, and systematically sexually assaulted by various other men. Later, Rene turns O over to Sir Stephen, an English friend who intensifies the brutality. But the final humiliation is yet to come.