Song of Slaves in the Desert
Lyrically told and impeccably researched, Song of Slaves in the Desert traces the story of Nathaniel Pereira, a young New Yorker who's called to revive his uncle's South Carolina plantation. Nathaniel is struck by the sobering reality of slavery as he becomes captivated by the young slave Liza. Liza's never known the meaning of freedom, and as Nathaniel plunges into the murky mysteries of slavery, she can see how he might change her life forever. A masterful writer, Cheuse traces the thread of slavery from sixteenth-century Timbuktu and grapples with the wild nature of love.
Blood Plagues and Endless Raids
One hundred million people have played World of Warcraft in the 12 years since its inception. Those people did more than play; they worked, they fought, they triumphed, they held entire game servers hostage, they even married each other in real life. They developed new identities, swapping their workaday selves for warriors, mages, assassins, and healers. Blood Plagues and Endless Raids explores a wild, incredibly complex culture partly through the author's engaging personal story but also through the stories of other players and developers. It represents the definitive (and only) account of one of the world's biggest pop culture phenomena.
This is an intimate biography of an artist who became a legend after his death, but who in his private life stands revealed as a troubled man who was, in many ways, his own victim. Joan Murray’s new biography is part detective work, too: she investigates his beliefs, and the origins of his great masterpieces, and provides a convincing description of the possible circumstances of his death. The art of Tom Thomson represents one of the high points of Canadian modernism, which flourished in the first two decades of this century. During his brief career, lasting just five years, Thomson evolved a highly intense, naturalistic style, introducing formal innovations and challenging the idiom of the tonal landscape of painters popular in his day. Thomson’s idiosyncratic expressionist landscape art reflected the intellectual and psychological climate of pre-World War I Canada. It developed against the complex cultural background that produced the poets Bliss Carmen and Duncan Campbell Scott and, later, the painters of the Group of Seven. Despite his short creative life, and only half a decade of mature artistic activity, Thomson, a superb designer, produced an extensive body of work - more than thirty canvases and three hundred oil sketches - in a remarkably personal style, characterized by unusual colour combinations and strong patterns. Through it he conveyed the existential dimension of nature, making Algonquin Park - its trees, waters, and winds - the principal subject of his work.
A critique of filmmaking in the Maghreb and sub-Saharan Africa by noted film scholar Roy Ames
The Magus of Java
The story of John Chang, the first man to be documented performing pyrokinesis, telekinesis, levitation, telepathy, and other paranormal abilities. • The author, a mechanical engineer, provides scientific explanations of how these powers work. • For the first time, the discipline of Mo-Pai is introduced to the West. In 1988 the documentary Ring of Fire was released to great acclaim. The most startling sequence in the film is that of a Chinese-Javanese acupuncturist who demonstrates his full mastery of the phenomenon of chi, or bio-energy, by generating an electrical current within his body, which he uses first to heal the filmmaker of an eye infection and then to set a newspaper on fire with his hand. Ring of Fire caused thousands to seek out this individual, John Chang, in pursuit of instruction. Of the many Westerners who have approached him, John Chang has accepted five as apprentices. Kosta Danaos is the second of those five. In his years of study with John Chang, Danaos has witnessed and experienced pyrokinesis, telekinesis, levitation, telepathy, and much more exotic phenomena. He has spoken with spirits and learned the secrets of reincarnation. Most important, he has learned John Chang's story. John Chang is the direct heir to the lineage of the sixth-century b.c. sage Mo-Tzu, who was Confucius's greatest rival. His discipline, called the Mo-Pai, is little-known in the West and has never before been the subject of a book. Now, John Chang has decided to bridge the gap between East and West by allowing a book to be published revealing the story of his life, his teachings, and his powers. It will surely expedite what may well become the greatest revolution of the twenty-first century--the verification and study of bio-energy.
Arab and African film making
Lizbeth Malkmus A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Arab and African film making Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Rhinoceros and Other Plays
In Rhinoceros, as in his earlier plays, Ionesco startles audiences with a world that invariably erupts in explosive laughter and nightmare anxiety. A rhinoceros suddenly appears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the “movement” is universal: a transformation of average citizens into beasts, as they learn to move with the times. Finally, only one man remains. “I’m the last man left, and I’m staying that way until the end. I’m not capitulating!” Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the “beauty” of brute force, natural energy, and mindlessness. Includes Rhinoceros, The Leader, The Future Is in Eggs or It Takes All Sorts to Make a World
Postcolonial Images is a comprehensive introduction to and resource for cinema of the Maghreb. In clear and accessible prose, Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indigenous filmmaking in each of the three Maghreb countries—Algeria, Morocco, and Tunisia—arose with the newly independent nations. Comparative analyses of each country's filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography.